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Revisiting the Concept of Ephemerality in the Counter-Culture Architecture of the 1960s: Infatable Structures

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dc.contributor.author Eryılmaz, Burcu
dc.date.accessioned 2024-05-14T08:04:58Z
dc.date.available 2024-05-14T08:04:58Z
dc.date.issued 2022
dc.identifier.citation Eryılmaz, Burcu. (2022). "Revisiting the Concept of Ephemerality in the Counter-Culture Architecture of the 1960s: Infatable Structures", sITA – studii de Istoria şi Teoria Arhitecturii, No.10, pp.41-54. tr_TR
dc.identifier.uri http://hdl.handle.net/20.500.12416/8301
dc.description.abstract In his 1969 project An Experimental Bottery, published in the ninth issue of Archigram, David Greene introduces time as a concept that has had a significant impact on the arts over the past few years, but not so much on architecture. Still, he proposed the temporary space as the example of “an architecture that exists only with reference to time” by pointing out its potential to last in memory. Along this line of thought, this paper aims to make inquiry into the critical examples of temporary architecture to reflect on how they challenge architecture’s long-standing claim to permanence and thus attempt to transform the conventional relationship between architecture and time. To do so, it discusses a selection of inflatable structures that had been produced by such avant-garde architecture collectives as Archigram, Haus-Rucker-Co, and Coop Himmelb(l)au between the late 1960s and early 1970s. Starting from the assumption that these experimental spaces contribute to the expansion of the established boundaries of the discipline as they are situated at the margins of dominating architectural culture, this research provides a ground to argue how inflatable structures turned into a critical medium to reassess architecture’s relation with time during this period which was marked by technological developments and social, political and cultural upheavals.In his 1969 project An Experimental Bottery, published in the ninth issue of Archigram, David Greene introduces time as a concept that has had a significant impact on the arts over the past few years, but not so much on architecture. Still, he proposed the temporary space as the example of “an architecture that exists only with reference to time” by pointing out its potential to last in memory. Along this line of thought, this paper aims to make inquiry into the critical examples of temporary architecture to reflect on how they challenge architecture’s long-standing claim to permanence and thus attempt to transform the conventional relationship between architecture and time. To do so, it discusses a selection of inflatable structures that had been produced by such avant-garde architecture collectives as Archigram, Haus-Rucker-Co, and Coop Himmelb(l)au between the late 1960s and early 1970s. Starting from the assumption that these experimental spaces contribute to the expansion of the established boundaries of the discipline as they are situated at the margins of dominating architectural culture, this research provides a ground to argue how inflatable structures turned into a critical medium to reassess architecture’s relation with time during this period which was marked by technological developments and social, political and cultural upheavals. tr_TR
dc.language.iso eng tr_TR
dc.rights info:eu-repo/semantics/closedAccess tr_TR
dc.subject Infatable Structures tr_TR
dc.subject Ephemerality tr_TR
dc.subject Temporality tr_TR
dc.subject Permanence tr_TR
dc.subject Pneumatics tr_TR
dc.title Revisiting the Concept of Ephemerality in the Counter-Culture Architecture of the 1960s: Infatable Structures tr_TR
dc.type article tr_TR
dc.relation.journal sITA – studii de Istoria şi Teoria Arhitecturii tr_TR
dc.contributor.authorID 283453 tr_TR
dc.identifier.issue 10 tr_TR
dc.identifier.startpage 41 tr_TR
dc.identifier.endpage 54 tr_TR
dc.contributor.department Çankaya Üniversitesi, Mimarlık Fakültesi, İç Mimarlık Bölümü tr_TR


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