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<title>İngiliz Dili ve Edebiyatı Bölümü Yayın Koleksiyonu</title>
<link>http://hdl.handle.net/20.500.12416/419</link>
<description>İngiliz Dili ve Edebiyatı Bölümü yayınlarını içerir.</description>
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<rdf:li rdf:resource="http://hdl.handle.net/20.500.12416/8295"/>
<rdf:li rdf:resource="http://hdl.handle.net/20.500.12416/8276"/>
<rdf:li rdf:resource="http://hdl.handle.net/20.500.12416/8249"/>
<rdf:li rdf:resource="http://hdl.handle.net/20.500.12416/8206"/>
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<dc:date>2026-10-28T16:29:58Z</dc:date>
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<item rdf:about="http://hdl.handle.net/20.500.12416/8295">
<title>“To Build a Fire”: An Ecocritical Reading</title>
<link>http://hdl.handle.net/20.500.12416/8295</link>
<description>“To Build a Fire”: An Ecocritical Reading
Çakırlar, Özkan
</description>
<dc:date>2014-12-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/20.500.12416/8276">
<title>Transformation of Private Space into Social Space in Doris Lessing’s “Getting off the Altitude"</title>
<link>http://hdl.handle.net/20.500.12416/8276</link>
<description>Transformation of Private Space into Social Space in Doris Lessing’s “Getting off the Altitude"
Üstündağ Güvenç, Özge
Doris Lessing’s two collections of African Stories – This Was the Old Chief’s Country (1952) and The Sun Between Their Feet (1973) – exemplify the theme of colonialism displaying the hegemony of the whites over the blacks. The stories in the former collection are mainly about colonial issues, while the ones in the latter cover a variety of subjects such as racial and gender conflicts, power of nature and effects of the Second World War. Since geographical features of Africa have a significant role in shaping social and cultural values, the interconnectedness between space and gender is also a fundemental issue in these stories. “Getting off the Altitude” from her collection, The Sun Between Their Feet, recounts the story of how white settler community in Central Africa deals with the problem of alienation due to physical characteristics of the area. The spatially enclosed structure of the society on one hand, preserves the social norms and values but at the same time leads to non-conformist relationships between the genders. The impact of the altitude in the district is also observed in the way the society is structured and gender relations are performed. With respect to this, the story shows not only how space is perceived as a physical reality where everyday life takes place but also how it is conceived as a space of thoughts which defines relations and confines people into certain places. What differentiates “Getting off the Altitude” from the other stories in the collection is related to the multiplicity of male and female characters and their lived experiences, which pave the way for new modes of thinking about space. This study, through its portrayal of spatial practices and everyday experiences of various characters, discusses to what extent they are able to appropriate and configure spaces they occupy in different ways and how they transform the private sphere of a house from its restrictive conceptualisation to alternative ones within the framework of Henri Lefebvre’s and Edward Soja’s space theories.
</description>
<dc:date>2022-10-25T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/20.500.12416/8249">
<title>Social Reality Versus Ontological Reality: The Differing Sense of Reality in The Great Gatsby and Heart of Darkness</title>
<link>http://hdl.handle.net/20.500.12416/8249</link>
<description>Social Reality Versus Ontological Reality: The Differing Sense of Reality in The Great Gatsby and Heart of Darkness
Yılmaz Kurt, Zeynep
F. Scott Fitzgerald’ın The Great Gatsby adlı romanında, Conrad’in özellikle Heart of Darkness adlı romanında kullandığı teknikten etkilendiği pek çok eleştirmen tarafından dile getirilmiştir. Bu makale, özellikle anlatım teknikleri, kurgu ve karakter çizimi yönünden iki roman arasındaki benzerlikleri vurgular. Bu benzerliklere rağmen, iki romanın farklı gerçeklikleri yansıttığı da ileri sürülmüştür. Sonuç olarak, anlatım tekniği, karakter çizimi ve yozlaşma - medeniyet kavramlarının ele alınması konusunda Fitzgerald’ın Conrad’a benzediği, ancak konuya yaklaşımlarının çok farklı olduğu vurgulanmıştır. Fitzgerald yozlaşmayı sosyal bir bozulma olarak ele alırken Conrad bunu tamamen insan doğasıyla ilşkilendirmiştir. Conrad’da insanın yapısı, Fitzgerald’da sosyal bozulma ile ilişkilendirilen yozlaşma kavramına bu farklı yaklaşımlar iki romandaki gerçeklik kavramlarının da farklı olduğunu gösterir.
</description>
<dc:date>2007-02-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/20.500.12416/8206">
<title>The Mediterranean Sea and the Impact of Its Geographical Space and Cosmology upon Shakespeare’s Characters in Pericles</title>
<link>http://hdl.handle.net/20.500.12416/8206</link>
<description>The Mediterranean Sea and the Impact of Its Geographical Space and Cosmology upon Shakespeare’s Characters in Pericles
Ekmekçioğlu, Neslihan
Multiple representations of space and geography in Pericles can be evaluated from different points of view. The sea in Pericles witnesses the nativity of Pericles’s child, Marina and the burial of his wife, Thaisa within a chest. The natural elements lead the casket in which Thaisa is buried to the shore of Ephesus. Thaisa can be thought as the treasure of the deep. Her casket is discovered after a turbulent and stormy night by Cerimon who brings her back to life. The remarks regarding the wondrous meteorological phenomenon of the tempest point to the symptoms of an earthquake which caused the billow, the swelling of the sea which delivered the chest of Thaisa’s supposedly dead body to the seacoast. All the sudden turns and unpredictable events display the life experiences of Pericles who wanders in the Mediterranean Sea for many years. Shakespeare’s maritime imagination reveals a profound ontological relationship between the sea and human maturation in the sense of reaching a higher level of humanity. The ocean with its tempests and shipwrecks mostly contributes to sudden shifts in human lives and brings a kind of transformation in the lives of Shakespeare’s characters. In Pericles, the Mediterranean Sea with the impact of its geographical space and cosmology brings hope and despair, life and death as well as changes in Pericles’s life. The sea also witnesses the revival of life with magic and music at the seashore of Ephesus. My paper will deal with the multi-faceted geographical space of the Mediterranean Sea and its impact on character development in Shakespeare’s Pericles.
</description>
<dc:date>2022-01-01T00:00:00Z</dc:date>
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